Best Microphone For Singing Use

10 Best Microphone For Singing Use in 2021

If you will see how to choose the best microphone for singing use in 2021 let’s start by looking at the best microphone available today.If you are looking for a simple new way to enjoy the benefits of a microphone may be the perfect option for you.

affordable microphone for singing use is nothing more than an electronic device that works as a receiver of sounds at different frequencies. It uses a diaphragm that picks up vibrations in the air and transforms them into electrical signals.

It can be used to make karaoke, give live concerts or make different types of recordings. They come in various types, shapes and sizes and depending on the model they can pick up sound in one or more directions.

This list of the cheap microphone for singing use is packed with the best technology on the market. As you know, when it comes to audio devices, there are many different sizes and formats. If you are still not sure if you are looking for a microphone take a look at our list of the. and you can also check our selected list of the best microphone for singing use.

Best Microphone For Singing Use in 2021

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1. Best Microphone For Singing Use – [Sennheiser E 945]

The Sennheiser E945 is a dynamic supercardioid microphone that, compared to the SM58 standard, offers more clarity and definition. In other words, the E945 gives a faithful representation of the voice you want to capture.

With a rigid metal construction, the E945 also has an anti-shock capsule built, which will guarantee perfect operation despite treating it like a dirt bike.

Regarding sound quality, it doesn’t have much of a competitor at this price. You will be able to notice a clear difference in the highs compared to other dynamic mics.

Add in its super-cardioid polar pattern and this sennheiser becomes the best tool on stage or in a rehearsal room, although it can be a nuisance as it forces you to have the mic in front of you at all times.

  • Sturdy metal construction
  • Anti shock capsule
  • Good frequency response
  • Being supercardioid, you must be careful and always sing looking at the capsule

2. Good Microphone For Singing Use – [Audio-Technica AT2020]

The next mic comes from the Audio-Technica house, which is not as well known as Shure, Sennheiser or AKG but has earned its place among the greats for having quality products, durability and value for money.

The AT2020 is a condenser microphone, that is, you will need phantom power but normally almost all audio interfaces or sound consoles have it, so it is not a very serious problem.

Perhaps the downside is that it doesn’t come with a shock mount .Audio-Technica microphones have a reputation for requiring little equalization, and the AT2020 is no exception. Precisely its best application would be for voices, since it has very pleasant mid-bass and a small rise in the treble.

  • Very economical for what it offers
  • Attractive design
  • Perfect for recording vocals
  • Needs Phantom Power

3. Budget  Microphone For Singing Use – [Marantz Pro MPM-2000]

As we want to be a website that fights for equality, we include the Marantz Pro MPM-2000. This is a ribbon mic with the good of both worlds of microphones: high sound resistant and definition.

The microphone is ideal for recording closely spaced sounds by maintaining a good degree of isolation, and is also an excellent choice for recording live performances when sound is coming from many directions.

The well-defined pattern preserves excellent isolation and prevents unwanted feedback. Also included are a shock absorber, pop filter, and aluminum carrying case.

The Marantz Pro MPM-2000 has a wide frequency range that goes from 20Hz to 20kHz, plus the mic has a switch to cut the bass in case you need it.

In addition, its polar pattern is figure or bidirectional, that means that it will pick up sound from the front and the back, very useful if you are recording in a room with good acoustics.

  • Includes various accessories
  • Bidirectional Polar Pattern
  • You need Phantom Power to make it work

 4. Affordable Microphone For Singing Use – [Lewitt LCT 240 PRO]

In the magic number comes the Lewitt LCT 240 PRO, another condenser mic from a brand that does not have as much recognition as it deserves.

We have to warn you that this microphone is the little and cheaper brother of another series, but it must also be said that the differences are minimal.

The only cons that we can take out is that it does not have different direction options, its polar pattern is fixed cardioid.

All in all, this is an ideal mic if you’re a mid-tier producer and want a quality condenser mic without sacrificing your pants pockets, where we’d keep our keys without them.

  • Economical micro condenser
  • With a lot of versatility
  • You need Phantom Power
  • Fixed cardioid pattern

5. Cheap Microphone For Singing Use – [Audix OM 3]

This microphone is a 6 divider, it is the Audix OM 3. A micro with the operation of a jug: you connect it, you sing in the part where people sing and it sounds good (if you sing well, of course).

What makes this mic special is its hypercardioid polar pattern, which avoids feedback and rejects sounds that do not come directly from the membrane.

It’s also a dynamic microphone, so no phantom power or accessories, plug and play.The Audix OM 3 is an ideal mic if you are a singer who does rehearsals or concerts regularly, its advantage and disadvantage, let’s say it would be the fact that it is hyper cardioid, remember that you have to sing close to the membrane.

  • Rugged dynamic mic
  • Ideal for concerts and rehearsals
  • To the parrot where you sing, it’s hypercardioid

 6. Recommended Microphone For Singing Use – [Rode NTK]

The Rode NTK is the classic condenser mic, perhaps one of the quietest on the market. Normally condenser mics have a “complex” circuit inside they tend to make noise,

however this Rode has a dedicated power supply and an internal shock mount in the capsule reduces a lot of noise.The look of this microphone is as cool as it is professional.

It has a satin finish and the capsule is surrounded by a metallic mesh. Look the next time you go to a recording studio, you will surely recognize a Rode.With a large gold one-inch diaphragm, the NTK makes both vocals and instruments sound smoother (pleasant mid-frequency response).

Do not think that this is a normal condenser mic, since it has a sound resistance of 158dB, this means that it will not break the signal if you want to sing rap or rock.

  • High SPL for a capacitor
  • Lots of detail and great sound
  • You will need a good foot to hold it

7. Shure SM7 B

The Shure SM7B is a microphone specially designed for vocals , specifically for radio and podcasts. But, unlike most vocal mics, this mic is dynamic and not condenser.

Which frees you from condenser mic noises. Although if you want it for podcasting, since it has an XLR input and needs a lot of gain (since it has a -57db base)

the ideal would be to connect it to a preamplifier first or an audio interface with phantom power, such as this one.This microphone has a perfect quality for vocals , and with a good preamplifier (a preamplifier)

​​you can get a Pearl Jam or Chris Cornell roll voice, in fact this mic is the one used by Michael Jackson for Thriller, and other groups like Metallica or Pearl Jam or Mike Jagger .

It has a large diaphragm, which gives it a giant wave frequency and also has a very wide sensitivity, you could record an atomic explosion without damaging the membrane. For aggressive male voices, rap, metal, rock is ideal, for delicate voices a condenser like the Rode NT1A is better.

  • Incredible voice recording quality for the price.
  • There is no need for an antipop


  • The only downside we can get is that it needs a preamp with at least 70db of gain to be able to work in conditions

8. Sennheiser MD421-II

One of the most versatile dynamic microphones. This microphone is essential and one of the favorites in a studio and a world reference.

Historically it was conceived to record percussion (in fact it is the best there is for recording toms) however it has been found that it also works very well with vocals.

It is ideal for recording strong , punchy voices such as male rock, rap, metal, punk, and similar singers. There are several who even describe the MD421 as the mic they would choose if they only had to work with a single mic. As an anectote George Harrison used a Sennheiser MD421 in many of his recordings.

It is highly resistant to sound pressure , and has a frequency response that goes from 30 Hz and reaches up to 18,000, so when we use it to record a timpani, it gives us freedom in the mix to choose between a thick tom and a lot body, or a timpani with a lot of highs and a lot of punch in more aggressive styles.

  • Perfect mic for recording percussion.
  • Flexible and adaptable, ideal for loud voices.
  • Very few cons, some say that for certain types of voices it is not recommended

9. Shure SM58

A legendary mic, the best option for our live voice . For many this is the best microphone on the market if we look for affordable prices.

It has been used by tens of thousands of musicians for live performances throughout history and it continues to be one of the most used microphones.

Look at photos of your favorite singers in their live shows, probably 90% of the time they are holding an SM58.The Shure SM58 is a very versatile dynamic microphone , it works perfectly as a singing microphone as well as a speaking microphone.

It has a clear and transparent sound and it handles high tones and very loud sounds well. It’s clear from its frequency range, 50Hz to 15kHz, that this mic is geared toward working with vocals , with a cardioid polar pattern that works very well on stage.

It is an all-terrain microphone that can get you out of any trouble : what is the amplification of the guitar not working? An SM58 and voila, what doesn’t the hype sound like? The same.

The Shure 58 has a wide frequency spectrum within its pickup range (unlike others like the Shure SM57), responding perfectly to all types of environments and instruments.

  • Very economical for what it offers.
  • Lasts longer than any average mic.
  • None, that’s why this mike is a legend.

10. Audio-Technica AT2035

Audio-Technica is one of the most recognized brands of microphones as all its products offer an excellent value for money.

In our comparison of PC microphones we already reviewed the famous AT2020 USB, but the AT2035 is the best option for professional vocal recording. This singing microphone features XLR connectivity and truly remarkable sound quality.

 The design of this singing microphone is based on the famous Audio-Techinca AT2020. Like the previous model, the AT2035 has a pragmatic look that prioritizes functionality over aesthetics .

Audio Technica did not add unnecessary extra accessories to the AT2035 singing microphones in order to launch them at very attractive prices.

The Audio-Technica AT2035 singing microphones feature a large diaphragm capsule with a cardioid polar pattern . They work with a frequency range of 20-20kHz and support a maximum SPL of 148 dB that can cover very loud sounds clearly and clearly.

 In terms of sound quality, the Audio-Technica AT2035 Condenser Singing Microphone offers very similar performance to its predecessor (AT2020), but has the benefits of an attenuation pad and high-pass filter .

With the pad you can make the microphone work with a much higher SPL that allows you to record instruments with very high volumes and even amplifiers. The vowels are picked up in a clear and neutral way, although the midtones have a certain brightness that users love .

  • Sound quality, resistant, versatile, attractive price.
  • It is not as faithful as the more expensive models.

Buying Guide

First Steps to Choosing a Good Microphone

The first thing we have to do is ask ourselves what exactly will be the use that we are going to give. Is it a microphone for Singing? one for Instruments. Is it a microphone for recording? Are you going to use it live? o Will it be intended for your study? Or maybe you are looking for something that can work in both situations?

Microphone Features

Knowing better the specifications and technical terminologies will help you select the microphone that best suits your needs. These are the parameters by which the quality of the mics is measured, which you will often see in the descriptions:

  • Polar patterns
  • Sensitivity
  • Sound pressure level
  • Frequency response
  • Dynamic range
  • Proximity effect

Polar pattern

It is essentially how a microphone can “hear” sound from the different directions around it. The polar pattern is the shape of a microphone’s sensitivity field, which accepts or ignores incoming sounds. The patterns are as follows:

  • Omnidirectional , responds to sounds from all directions.
  • Bidirectional (also known as a Figure 8 microphone), picks up sounds from side to side, but excludes resonances from the front and rear.
  • Cardiode , has a heart shape (hence its name), which makes the microphone more sensitive to sounds from the front and to the sides, but rejects sounds from the opposite direction where it is pointed.
  • Super-cardioid , rejects more from the sides by focusing more where you aim.
  • Hyper-cardiode , also known as “unidirectional”, are even tighter to the sensitivity in the front and less at the sides, but they also pick up a bit more in the opposite direction.

Microphone Sensitivity

It refers to how sensitive the microphone is in detecting sound. The more sensitive a microphone is, the more sound it picks up. The more sensitive the microphones are, the sooner they distort to loud or transient sounds that put great pressure on the diaphragm.

This characteristic is fundamental, since it indicates the type of instruments that we can capture with them, and the place where we can use them optimally.

For example; Condenser microphones have a higher sensitivity than Dynamic ones, that is why they are useful for recording voices and acoustic instruments in the studio since thanks to the high sensitivity it gives us more realistic sound samples, but where sound pressure levels are present. low.

On the other hand, dynamic microphones are excellent for live applications, or where there is a high background noise, or a high level of acoustic pressure, their low sensitivity means that they only pick up the sound closest to its membrane, and thus avoid the audio distortion.

Sound Pressure Level

It describes the maximum volume in decibels (dB) that a microphone can handle, so in essence, it is the opposite of sensitivity. This indicates the highest amount of sound pressure that a mic’s electronic structure can withstand before it begins to distort the audio. Some microphones even have an attenuation switch, or PAD, to help eliminate background noise in the loudest situations.

Frequency Response

The frequency response of a microphone refers to the range of frequencies, from low to high, that a microphone will pick up. This range is measured in Hertz. A microphone with a frequency response range of around 80 Hz to 15 kHz would be a good choice for a vocal microphone.

Frequency Response Curve

The frequency response only indicates the total range that the microphone can hear. How it responds in each frequency can be seen by observing the frequency response curve that we can find in the box and on the manufacturer’s websites, where it shows us which frequencies it listens better and worse, depending on this curve we will choose the microphone for the use that it uses. let’s go give.

Colorize or turn off the sound

Depending on the curve, it tells us for which frequencies the microphone is good and for which it is not, it is something fundamental that we must look at when choosing a good microphone.

Dynamic range

It is the difference between the maximum sound pressure level that a microphone can pick up without distortion and the lowest sounds it can pick up based on its sensitivity.

Proximity effect

Makes low frequencies become more pronounced as the sound source moves closer to the microphone. This is widely used by radio announcers to create the effect of a big, imposing voice. A recording engineer could select a microphone with a strong proximity effect to bring out its bass tones, if the song demands it.

Types of Microphones

Most microphones fall into two categories: dynamic and condenser microphones. Dynamic mics are typically sturdier, making them suitable for use on stage. Condensers, on the other hand, are more sensitive and more delicate, which is why they are most often used for recording in studios. These are generalities, because there are dynamic microphones that are used very often in the studio and there are condenser models designed to handle the abuses of stage work.


They are considered the best microphones for recording in studios and one of the most popular types in the world. Not only for its versatility in recording, but also for its greater sensitivity to sounds and great frequency response to capture all the sound waves that you intend to capture.

The only downside is that they need an external power source, internal batteries, or phantom power to work. But most mixers and interfaces have phantom power on the mic connectors.


They are quite rugged and have a high sound pressure capability, they are not necessarily as sensitive or accurate as condensers, but for many taps, or uses this is not an absolute necessity.

Most have an internal damping mount to allow handheld use, and their polar patterns focus only on the sound in front of them. These are the reasons why mics tend to perform well live, as does the Shure SM58, which has been an example of the studio and stage for many years.

USB microphones

Today there are several types of specialized microphones for specific situations, for example USB microphones are ideal for most computer applications such as recording audio for YouTubers, blogs and online calls.

Main Accessories for Microphone

There are numerous accessories designed to optimize the performance of your microphone. Consider not only your budget, but anticipating when and where you will need to use this additional equipment. These are:

  • Mic preamps
  • Compressors, equalizers and limiters
  • Audio interfaces
  • Microphone stands or stands
  • Suspensions or spiders
  • Pop filters
  • Transport cases
  • Soundproofing


Sometimes we incorrectly think that condenser affordable microphone for singing use are “better” than dynamic microphones for studio recording. But as you have seen, it depends on the characteristics of each microphone, it can be optimal for an application, or not.

I hope that it has become clearer to you that it measures each technical characteristic and that the search for your cheap microphone for singing use is easier for you.If you have any questions, leave us your question, we will answer as soon as possible!


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