Best Studio Microphone

7 Best Studio Microphone in 2022

The Studio Microphone has been around for a long time. In the beginning, people used it to amplify their voices so they could be heard better in large crowds or in loud environments.

The Studio microphone is an instrument that allows the user to speak into it and have their voice heard. It’s one of the most basic pieces of equipment used in any type of performance, whether it be singing or speaking. The Studio microphone has been around for a long time, with some accounts dating back to 1877! A Studio microphone is a device that can record sound and play it back, usually with little or no change.

Following Are The Best Studio Microphone

In the age of digital music recording, a good sound card is probably one of the most important things you’ll need if you want your music to sound great. It’s no longer enough to just have the best studio microphone. What do you need to know about sound cards and studio microphones?

A microphone should be a part of every studio setup. It is something that should never be overlooked. But what is the great studio microphone? Which one will produce the best quality recording for you? This blog will go through some of the most popular studio microphones on the market and explain the pros and cons of each one.

Studio microphones have to be the most important purchase you make before actually starting to mix. These are the tools that will make your final product sound like professional work. So, how do you choose the cheap studio microphone? Well, there are many different factors to consider, but here is a blog outlining the most important ones.

If you are looking for an affordable studio microphone for your home or professional studio then you shouldn’t look past the Rode NT1-A. It is hands down the best microphone that you can get for your money. Rode microphones are often favored by many different professional audio engineers and studios due to their clear design and sound reproduction.

Editor’s Note: We will update this list of best microphone as more arrive on the market. and you can also check our selected list of the Studio microphone.

Sennheiser MD 421

As we all know that the communication is the most important thing in business and business can only be successful if there is good communication. A business person cannot able to give his/her presentation in front of clients or company meetings without great sound effects. So for good communication in business, you need earphones or headphones.

The Sennheiser MD 421 is an excellent dynamic microphone for voice-over work. How come it is so good? From recording to post-production, it has a number of features that will ensure you get a perfect sound whether you are recording on a desk or standing up.

The MD421 was the first-ever dynamic cardioid microphone designed in 1949 by Dr. Fritz Sennheiser. The MD 421 was designed to be used as a true directional microphone, a microphone that could pick up voice clearly while at the same time rejecting surrounding sounds and background noise.

Sennheiser MD 421
Polar Pattern
Microphone Type Dynamic
Frequency Response 30Hz-17kHz
Output Impedance 200 ohms
Weight 0.85 lbs
  • Professional dynamic mic.
  • Refined steel basket and glass composite capsule.
  • Well-manufactured.
  • hard to use, and isn’t standard.

Shure SM7B

The Shure SM7B is a mic that you can use for podcasting, for your voice-over recordings, for your music recording, for your internet radio station, for your studio recording, and even for your speech recording and more. The Shure SM7B is a microphone that is used by a lot of voice-over artists, radio stations, and studios.

Devices that are used in VOIP calls like webcams, headphones, and microphones need a good microphone pre-amp. One model that has been long renowned in the voiceover world is the Shure – SM7B. It’s a studio-grade microphone pre-amp that comes at a relatively low price point.

There are many microphone reviews online but they often get technical and jargon-heavy. This post instead breaks down the reasons this microphone is so good for podcasting and voiceover in a more casual and easy-to-understand way.

Shure SM7B
Weight 1.69 lbs.
Dimensions 7.49″ x 2.5″
Connector XLR
Color Black
Sensitivity -59 dBV/Pa
  • Rugged construction, classy aesthetics
  • Smooth and warm for speech and vocal
  • 3 frequency response settings
  • Cost – worth it, but pricey

AKG C214

The AKG C214 is one of the most popular microphones ever made. It is revered by engineers, musicians, sound designers and anyone else who uses sound in their work. This post will explain what makes the C214 so special and why we love it. Most of the time, when you’re asked to name your favourite microphone, you’re likely to be able to name four or five.

I’ve been using the AKG C214 for years and it’s never let me down. It’s a large-diaphragm condenser that has a body that’s just large enough to feel substantial in your hand. I’ve done countless recordings on it and it has been a staple in my studio.

There are many different types of mics that you can use for your recording but the AKG C214 is a popular choice for many people. In this post, we’ll take a look at the AKG C214 and the different features it has.

AKG C214
Electrical impedance 200 Ohms
Bass cut filter 160 Hz
Preattenuation Pad -20 dB
Sensitivity 20 mV/Pa
Height 160 mm
  • Wide responsive diaphragm.
  • 1-inch high-end size.
  • Awesome dynamic and transient response.
  • Low autonomous noise.
  • Minor issues with plosives without the windscreen

Blue Microphones Bluebird SL

High-quality microphones are pretty essential for recording high-quality audio. In this blog, we look at some of the best condenser microphones in the market right now and the Blue Microphones Bluebird SL which is an excellent all-rounder.

Blue Microphones Bluebird SL is an extremely versatile microphone. It is a fantastic tool for recording vocals and instruments. It also has a great feature set and builds quality. It is actually a very good all-around microphone, but it is better suited to a more general-purpose recording setup than anything else.

Blue Microphones Bluebird SL is high-end audio hardware that is used to help create the audio. However, Blue Microphones Bluebird SL isn’t just technology but is a unique experience that can be used in a variety of ways. Although it is clear that Blue Microphones Bluebird SL can help technology companies and business leaders in the manufacturing industry, not many people know how to use it.

Blue Microphones Bluebird SL
Power Source 48V phantom power
Connector XLR
Color Blue body
Pads -20dB
Low Cut Filter 100Hz
  • smooth and natural sound on vocals
  • the black coloured version
  • sounds cool on electric instrumentals
  • Sometimes capture ambient noise

Rode NT1-A

I am sure we have all been there. We get the perfect microphone, only to find that it is not as good as we had hoped. Our team here at recently came across the Rode NT1-A. Here are our findings.

This is a review of the Rode NT1-A microphone. It is a condenser microphone that is sold as a bundle with a shock mount, pop shield, and XLR cable. It is a versatile microphone that can be used in recording studios, podcasting, and live scenarios.

Why should you get a good microphone for your podcast? There is no need to spend a thousand dollars on a brand new microphone. The Rode NT1-A is often thought of as the best microphone for podcasting, but is it really? Through this blog, we are going to explore the Rode NT1-A.

Rode NT1-A
Diaphragm Size 1″ (25.4mm)
Frequency Response 20Hz-20kHz
Max SPL 137dB SPL
Weight 0.7 lbs
Connector XLR
  • Clean Studio Recordings/Excellent Sound Quality
  • No noise
  • Value at low cost!
  • Lack of pad makes close-mic’ing loud sources tricky.

Audio Technica AT2035

Audio Technica AT2035 is a very versatile, solid-sounding, and affordable microphone. If you are looking for a high-quality USB condenser microphone for podcasting, then AT2035 may just be the mic for you.

Audio Technica AT2035 is one of the finest microphones, which is made to deliver every sound with superior quality and clarity. This microphone is mostly used by many professional singers and also by music producers to record everything with high quality.

In this post, I’ll do a full audio Technica AT2035 review to give you all the information you need to make a decision. I’ll go over the good, the bad, and the ugly. I’ll also talk about the alternatives Audio Technica AT2035 has and I’ll talk about the end result. I’ll also give you a conclusion as to whether you need to get this or not.

Audio Technica AT2035
Element Fixed-charge back plate, permanently polarized condenser
Polar Pattern Cardioid
Frequency Response 20 – 20,000 Hz
Open Circuit Sensitivity -33 dB (22.4 mV) re 1V at 1 Pa
Included Accessories Shock Mount, Microphone Pouch
  • Natural sound and a balanced response.
  • Crispy and nicely detailed high-end.
  • Low self-noise.
  • The overpowering bass response may impact certain vocalists
  • Low level of versatility which limits the suitability

Shure SM58-C

The Shure SM58-C is a multi-purpose microphone that is used for both live performance and studio recording. This blog will look at some of the features of the microphone and how it is used creatively to produce a great sound.

The Shure SM58-C podcast microphone is an upgrade from the SM58. This microphone is built for podcasting and voiceover. It is a dynamic microphone that is designed to perform for years.

The Shure SM58-C is a microphone that is best known for its rugged construction and for being the microphone of choice for numerous musicians. This microphone is popular for many reasons. It is considered a ‘workhorse’ microphone, offering great value for money.

Shure SM58-C
Frequency Response 50 to 15,000 Hz
Sensitivity –54.5 dBV/Pa (1.85 mV)
Weight 298 grams (10.5 oz)
Impedance 150 Ohms
Output Connectors 1 x XLR 3-Pin
  • Frequency response tailored for vocals
  • Brightened midrange bass roll-off for controlling proximity effect
  • Effective Pop Filter for spherical wind
  • It requires an external Pop filter for any studio recordings

Buyer Guide

1. Directionality

Polar patterns describe how a microphone will capture sound from different locations. Some areas of a microphone are sensitive to certain frequencies, but other areas are lacking insensitivity.

There are several different polar pattern categories: cardioid, hyper-cardioid, super-cardioid, and omnidirectional. We’ll focus on these four species and explain how each one differs from the other forms of polar patterns as well as how to use them as a sound engineer or singer.

2. Proximity Effect

The proximity effect is a phenomenon that occurs with moving-coil and ribbon microphones. When placed in close proximity to the sound source, the low-frequency pickup of a typical mic will be increased significantly. This effect is most notably noticed when recording male vocalists or some instruments like an electric guitar where you might have noticed how much easier the tone gets when someone steps in front of a mic.

The proximity effect is most prevalent in the polar patterns that have a high variation in angle. This means that Omni-directional polar pattern mics will not exhibit any proximity effect at all because they enclose the entire area of sound that the mic is “hearing”.

3. Frequency Response

Microphones vary in different ranges of frequency response which relates to how sensitive they are to certain frequencies. A microphone’s sensitivity to certain ranges determines the quality and clarity of input it will record and output.

Before purchasing a microphone, we recommend looking up its frequency response chart as well as a frequency response chart of the sound source you want to record, and cross-referencing them. Above are graph visualizations for two different microphones; one condenser and another dynamic.

4. Maximum Sound Pressure Level

The max SPL of a microphone refers to the peak sound pressure level, or how loud your sound can go before distortion occurs. We recommend cross-referencing the max SPL of the microphone with the maximum dB of the sound source so you can avoid distortion as well as potentially damaging the mic and not having enough decibels for proper amplification.

5. Connectivity

There are two main ways of recording audio with a microphone. One is to plug the microphone directly into a preamplifier or an audio mixer or interface. Another way is to plug the microphone into your computer with a jack-to-jack cable.

In terms of connectivity, there are essentially two kinds – either the connection is wired or wireless. That being said, take into consideration that each kind comes with its own advantages and disadvantages. Consider an adapter when you don’t have any available connectors you can use.


If you are looking for the best studio microphone for your home or professional studio then you shouldn’t look past the Rode NT1-A. It is hands down the best microphone that you can get for your money. Rode microphones are often favored by many different professional audio engineers and studios due to their clear design and sound reproduction.

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